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Quartet

Renaissance recorders ATBB
Movements: I - II (poco largo) - III - IV (coda)

Duur: 17'

for Brisk Recorder Quartet Amsterdam; 1st perf. at the Warwick Festival (UK) 1992

Each of the three movements has its distinctive idiom.
First movement: the most ‘European’ in character, a kind of sonata that plays on the contrast between rhythmic and lyrical episodes. The Early Music consort-style is audible, but with a bigband-ring and sometimes in an African-sounding rhythmic idiom.

Second movement: a strongly meditative music based on the Balinese gamelan, in particular the melody of the barong, a dance to excorcise the devil. The Balinese rhythmic figuration acquires a Western, harmonic twist; here the devil is that of melancolia.

Third movement: African and Western polyphony concur, propelled by more upbeat rhythms. A mixture of melodies, sometimes reminiscent of the previous gamelan movement. The short coda provides a summary of the emotional contrasts within the piece.

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